|
Enneagram Type 5 Board Archive Re: MessagePosted by Becky on July 24, 2000 at 00:31:00: In Reply to: Message for Becky relating to "Hmm . . ." Followup Post posted by Babelfish on July 23, 2000 at 13:23:10: : Dear Becky : Thank you: this more or less tallies with my assessment of being a 4/5 or 5/4 hybrid. And your self-accusations about being vague are unjustified. Well, thank you. Coming from someone who works closely with language--I'm flattered. : Being an enneagram novice and not an initiate, (ditto) :I'm still not quite au fait with such recondite notions as "wings". As you state that you feel ambiguously about them, I'd be glad if you could elaborate on your perspective. Sure. To put it simply, I feel that any combination of types is feasible for a primary/secondary arrangement. Couldn't you imagine meeting a 9w2 or an 8w3 or a 1w6 (to name a few)? I can. : Although my test results suggest that I'm predominantly 4 (secondary trait 5), I have a passionate commitment to ideas, I don't see where the "although" fits in. I think that a 4w5 is the perfect candidate for someone "passionate about ideas." Care to clarify your line of thought? : and see my "fourness" embedded in a desire to effect a creative symbiosis of concepts and theories, where no apparent connection or compatibility is thought to exist. I hear you loud and clear! If I can see one little connection such as those you describe, I grab hold and run with it. :) : I'm a translator/copywriter/linguist by profession (although this doesn't represent "pursuit of bliss")with my specialisms tending to lie on the more creative side, where you are granted more "licence" to make a text your "own" (within reason). Ah. I know what you mean about the creative end of things. : Financial liabilities notwithstanding, I'd ultimately like to pursue an academic career in the Arts/Humanities, but even this comes with potentially lethal snags attached, as individual creativity is often stifled or funneled into a self-consciously academic pigeonhole. You think so? Ciao,
|
|